Poetry

Joanne Allred
~ There Is No End to the Strength of These Creatures of Midnight

Alison Amato
~ Dyschronia Villanelle

Rebecca Bornstein
~ Villanelle That Should Be Read While Drinking An Extra Dirty Martini

Laurel Brett
~ Out of Step

Ava J. Camargo
~ All the Little Blows

Mara Lee Grayson
~ And then all the bees were dead.

Jocelyn Heath
~ All the Days Behind
~ Townies

Jennifer Randall Hotz
~ Alexandrine for Jane

Tricia Knoll
~ Our Last Night

John K. Kruschke
~ Practicing Dying

Dara Laine
~ Ringo’s Cap
~ Bernie’s Card

Edward Lees
~ First Light
~ Pelvis as Viewfinder

Nancy Huxtable Mohr
~ The Spun Man
~ Plum Blossoms

Lauren Oertel
~ Argument against Verdancy
~ Landscape as Clean, Untroubled, Swept Bare

Olivia Dorsey Peacock
~ Porca Macchina
~ Paxos

Garrett Phelan
~ Common Thistles
~ Lucky

Connie Post
~ The Spun Man
~ Plum Blossoms

Rikki Santer
~ Argument against Verdancy
~ Landscape as Clean, Untroubled, Swept Bare

Sonya Schneider
~ Porca Macchina
~ Paxos

Kate E. Schultz
~ Common Thistles
~ Lucky

Mark Simpson
~ Argument against Verdancy
~ Landscape as Clean, Untroubled, Swept Bare

Sara Moore Wagner
~ Porca Macchina
~ Paxos

Rob Yates
~ Common Thistles
~ Lucky

Matthew Zhao
~ Argument against Verdancy
~ Landscape as Clean, Untroubled, Swept Bare

SPRING 2026

Sara Bernstein, title

Rhode Island–based printmaker and weaver Sara Bernstein was recently awarded Best in Show by the Providence Art Club and has exhibited her work at the Bristol Art Museum. Influenced by traditional weaving patterns from unique cultures, Sara’s most current works weave together words and letters, creating a personal narrative that reflects her feelings about the world at large. Learn more about Sara at www.saraberryfineart.com.

*Westchester author