Growing up, I had a friend, Sara with no H,
but that was never my name.
Mine had extra script clinging to the end
like a premonition, an icy worry,
but a kind of ward too—H like a pitchfork
pointed at the boy who pulled my hair
and the girl who invited me to a sleepover
then pretended I wasn’t there.
That fifth letter changed the vibe,
altering the gap on the right and adding
protection, like a floatie to hold me
above water, toes upward,
face to the blue sky.
On dry land, H was a flying buttress
that let the rest of my name twirl like garlic
scapes—a square room for my spin
and freefall—its sturdy angles balancing
the curvier letters.
Aloud, it was a nonsound, an aspiration
to ground two breathy syllables,
a silent ancestral consonant—
I was not smooth Art Deco
sans serif Sara but the ancient one with
throaty shadow still in place.
Sarah Carleton writes poetry, edits fiction, plays the banjo, and knits in Tampa, Florida. Her poems have appeared in numerous publications, including ONE ART, Valparaiso Poetry Review, SWWIM, and Rattle. Sarah’s poems have received Pushcart and Best of the Net nominations. Her first collection, Notes from the Girl Cave, was published in 2020 by Kelsay Books.